[ÎÄ»¯²©ÀÀ] ¡¾ÕûÀí¡¿2012-12-07 ·çÇéÄÏÎ÷°àÑÀ The Moorish South ¡ª21

qingchengshan

 

 

 

BBCÎ÷°àÑÀÒÕÊõ-Î÷°àÑÀÄÏÇø×î·çÇé  | BBC The Art of Spain  The Moorish South

 

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    ÉíΪÆÀÂÛ¼ÒºÍÒÕÊõÀúʷѧ¼ÒµÄAndrew Graham-Dixon×ÔÎ÷°àÑÀÄϲ¿Ïò±±²¿½ø·¢£¬Ïò´ó¼ÒÕ¹ÏÖÁËÒ»¸ö¸ö¹ØÓÚÅ·ÖÞ×îÁîÈËÐË·Ü£¬ÖÁ¹ØÖØÒªµÄÒÕÊõ¹ÊÊ¡£ÔÚ·¢¾òĦ¶ûÈ˵ÄÎ÷°àÑÀµÄͬʱ£¬ÎªÁËÉîÈëµØÁ˽âÄÂ˹ÁÖÕþÖκÍÎÄ»¯µÄÓ°Ï죬´Ó¿Æ¶û¶àÍßµ½¸ñÀ­Äɴ¿´¿Æ¶û¶àÍß¹ÅÀϵĴóÇåÕæË£¬Èû¶ûάÑǵijDZ¤ÒÔ¼°¸ñÀ­ÄÉ´ïµÄ°¢º±²¼À­¹¬¡£ÈÏʶĦ¶ûÈËÒý½øºÜ¶àеÄʳÎï--°üÀ¨¸ÌéÙÀàµÄË®¹û£¬¿§·È»¹ÓÐÏãÁÏ--µ½Î÷°àÑÀµÄÊ¡£


  Critic and art historian Andrew Graham-Dixon travels from southern to northern Spain to tell the story of some of Europe¡¯s most exciting and vital art. In an exploration of Moorish Spain, he looks at Muslim political and cultural influence as he travels from Cordoba to Granada, seeing classic buildings such as the Great Mosque in Cordoba, the Alcazar in Seville and the Alhambra in Granada. He also shows how the Moors introduced new foods ¨C including citrus fruits, coffee and spices ¨C to Spain.

   The films covers the period from the first tentative stirrings of Tchaikovsky's musical talent to the composition of his opera Eugene Onegin and the failure of his marriage to Antonina Milyukova.It looks at the women who fired his musical imagination in the early years, from Katerina Kabanova in his first orchestral work, The Storm, to his dearly loved Tatyana in Onegin.

 

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Ò»¡¢ÈôÊÇ×Ô¼ºµÄÌýд¸å, Çë·¢Ìûʱ±ê×¢'Homework'.
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ÓÉtoyworldÔÚ ÕûÀíµÄÔ­ÎÄ£º
The Moors might have been coming to the end of their power and influence in Spain,





but they were determined to go out in style.





The Alhambra is like/ greatest hits of Moorish design, with the volume turned up to ten.





It's the absolute summation of everything that made the art of Islamic Spain so extraordinary£¬a place where the expression of power and deep spirituality, that eternal search for paradise, are absolutely intertwined.





There's such a scrum of tourists in the Alhambra today/that I think it makes it pretty difficult to appreciate this place as it was originally meant to be appreciated, which is as a space of contemplation and reflection.





Each of the spaces in this palace were meant to bring you closer to God, and that's the fundamental purpose of this wonderful room called the Hall of the Ambassadors, which is all about pattern and geometry.





The numbers seven and four are repeated everywhere in this space.





Seven signifies the stages by which the soul ascends to God,





and four represents the number of areas into which the vault of heaven could be divided, and we see that reflected in this magnificent ceiling.





But the seven and the four lead us ineluctably to the one, and that's the message that's reinforced in all of these inscriptions.





There is no God but Allah; there is no conqueror but Allah.









This is a space that's designed hypnotically through the repetition of pattern and design and inscription to focus our minds solely and exclusively on the higher reality of God.

iBallack

HOMEWORK

The Moors might have been coming to the end of their power and influence in Spain. But they were determined to go out in style. The Alhambra likes a greatest hits of Moorish design with the volume tuned up to 10. It's the absolute summation of everything that make the art of Islamic space so extraordinary. A place where the expression of power and deep spirituality that eternal search for paradise are absolutely intertwined.
The such a scramble of toys in the Alhambra today that I think it makes it pretty difficult to appreciate this place as it was originally meant to be appreciated which is as a space of contemplation and reflection. Each of the spaces in this palace was meant to bring you closer to God. And that's the fundamental purpose of this wonderful anchor the whole of the ambassadors which is all about pattern and geometry.
The number 7 and 4 are repeated everywhere in this space. 7 signifies the stages by which the soul ascends to God and 4 represents the number of areas into which the vote of heaven could be divided. Can we see that reflected in that magnificent ceiling? But the 7 and the 4 leads us ineluctably to the one. And that's the message that reinforces in all of these inscriptions that there is no God but Ala; there is no conqueror but Ala.
This is a space that designed hypostatically to the repetition of pattern and design that most ascription to focus on mines solely and exclusively on the higher reality of God.

Éî°×µÄÀ¶

HOMEWORK
The Moores might have been coming to the end of their power and influence in Spain, but they wouldn't determine to go out in style, the Alhambra is like a greatest hits of Moorish design with the volumn turn out to ten, it's the absolute submission of everything that made the art of Islamic Spain so extraordinary, a place where the expression of power and deep spirituality that eternal search for paradise are absolutely intertwined.
There is such a scrum of tourists in the Alhambra today, and i think it makes it pretty difficult to appreciate this place as it's originally meant to be appreciated which is as a space of contemplation and reflection, each of the spaces in this palace was meant to bring you closer to God, and that's the fundamental part of this wonderful anchor, the hall of ambassadors which is all about pattern and geometry. The number seven and four are repeated everywhere in this space. Seven signifies the stages by which the soul ascends to God and four represents the number of areas into which the vault of heaven could be divided, and we see that reflected in this magnificent ceiling. But the seven and four lead us ineluctably to the one, and that's the message that's reinforced in all of these inscriptions there is no God but Allah, there is no conquerer but Allah, this is a space that's designed * throught the repeatation of pattern and design and inscription to focus on minds solely and exclusively on the higher reality of God.

This post was generated by put listening repetition system,  Check the original dictation thread!

mintzoe

The Moors might have been coming into the end of their power and influence in Spain, but they would determine to go out in style. The Alhambra is like a greatest hits of Moorish design with the volume turned up to 10. It's the absolute summation of everything that made the art of Islamic Spain so extraordinary. A place where the expression of power and deep spirituality that eternal search for paradise are absolutely intertwined.

There is such a scrum of tourists in Alhambra today, I think, it makes it pretty difficult to appreciate this place as it was originally meant to be appreciated, which is as a space of contemplation and reflection. Each of the spaces in this palace was meant to bring you closer to God, and that's the fundamental purpose of this wonderful anchor, the hall of ambassadors, which is all about pattern and geometry.


The number 7 and 4 are repeated everywhere in this space. 7 signifies the stages by which the soul ascends to God, and 4 represents the number of areas into which the vault of heaven could be divided, and we see it reflected in this magnificent ceiling. But the 7 and the 4 lead us ineluctably to have one, and that's the message that reinforces in all these inscriptions that there is no God but Allah; there is no conqueror but Allah. This is a space that designed hyperbolically to the repetition of pattern and design of most ascription to focus on minds, solely and exclusively, on the higher reality of God.













This post was generated by put listening repetition system,  Check the original dictation thread!

hjj502

The Moors might have been coming to the end of their power and influence in Spain,


but they were determined to go out in style.


The Alhambra is like a greatest hits of Moorish design, with the volume turned up to ten.


It's the absolute summation of everything that made the art of Islamic Spain so extraordinary.


A place where the expression of power and deep spirituality, that eternal search for paradise, are absolutely intertwined.
There's such a scrum of tourists in the Alhambra today, that it makes it pretty difficult to appreciate this place as it was originally meant to be appreciated, which is as a space of contemplation and reflection.


Each of the spaces in this palace were meant to bring you closer to God, and that's the fundamental purpose of this wonderful room called the Hall of the Ambassadors, which is all about pattern and geometry.


The numbers seven and four are repeated everywhere in this space.


Seven signifying the stages by which the soul ascends to God,


and four representing the number of areas into which the vault of heaven could be divided, and we see that reflected in this magnificent ceiling.


But the seven and the four lead us ineluctably to the one, and that's the message
that's reinforced in all of these inscriptions.


There is no God but Allah ,There is no conqueror but Allah.




This is a space that's designed hypnotically through the repetition of pattern and design and inscription to focus our minds solely and exclusively on the higher reality of God.





                                                   
This post was generated by put listening repetition system,  Check the original dictation thread!

xuxiaocha

The Moors might have been coming to the end of their power and influence in Spain, but they were determined to go out in style. The Alhambra is like a greatest hits of Moorish design, with a volume turned up to ten. It's the absolute submission of everything that made the art of Islamic Spain so extraordinary. A place where the expression of power and deep spirituality, that eternal search for paradise, are absolutely intertwined.

These is such a scrum of tourists in the Alhambra today that I think it makes it pretty difficult to appreciate this place as it was originally to meant to be appreciated, which is as a space of contemplation and reflection, each of the space in this palace was meant to bring you closer to god. And that's the fundamental purpose of this wonderful room called the hall of the ambassadors, which is all about pattern and geometry.


The number seven and four are repeated everywhere in this space, seven signifying the stages by which the soul ascends to god, and four representing the number of areas into which the vault of heaven could be divided. Can we see that reflected in this magnificent ceiling? But the seven and the four lead us ineluctably to the one. And that's the message that's re-enforced in all of these inscriptions. There is no god but Allah. There is no conqueror but Allah. This is a place that's designed hypnotically to the repetition of pattern and design and inscription to focus our minds solely and exclusively on the higher reality of god.

This post was generated by put listening repetition system,  Check the original dictation thread!

ºÉ»¨Á«Ò¶

The Moors might have been coming to the end of their power and influence in Spain,but I'm determined to go out in style.The Alhamus likes a greatest hit of Moorish design,with the volumn turned up to 10. It's the absolutely submission of everything maybe art of Islamic Spain so extrordinary.A place where the expression of power and deep spiriuality that eternal search for paradise are absolutely intertwined.
The such of scamble of tourists in Alhamus today,i think,it makes it pretty difficult to appreiciate this place as it was originally meant to be a appreciative which is as a space of contemplation and reflection.Each of the spaces in this palace were meant to bring you closer to gods.And that's the fundemental purpose of this wonderful auchor the whole of the ambassadors which is all about pattern and geometry.
The numbers 7 and 4 repeated everywhere in this space.7 signifies the stages by which the soul assends the god and 4 represents the numbers of area into which the vote of heaven could be divided.Can we see that reflected in this magnificant ceiling?But the 7 and the 4 lead us ineluctably to the 1.And that's the message that's reinforces which all of these incsriptions that there is no God but Ala,there is no conquer but Ala.
This is a space that has designed hypostically to the reputations of the patterns and design that most ascription to focus on mines solely and exclusively on the high reality of God.

toyworld

The Moors might have been coming to the end of their power and influence in Spain,


but they were determined to go out in style.


The Alhambra is like/ greatest hits of Moorish design, with the volume turned up to ten.


It's the absolute summation of everything that made the art of Islamic Spain so extraordinary£¬a place where the expression of power and deep spirituality, that eternal search for paradise, are absolutely intertwined.


There's such a scrum of tourists in the Alhambra today/that I think it makes it pretty difficult to appreciate this place as it was originally meant to be appreciated, which is as a space of contemplation and reflection.


Each of the spaces in this palace were meant to bring you closer to God, and that's the fundamental purpose of this wonderful room called the Hall of the Ambassadors, which is all about pattern and geometry.


The numbers seven and four are repeated everywhere in this space.


Seven signifies  the stages by which the soul ascends to God,


and four represents the number of areas into which the vault of heaven could be divided, and we see that reflected in this magnificent ceiling.


But the seven and the four lead us ineluctably to the one, and that's the message that's reinforced in all of these inscriptions.


There is no God but Allah; there is no conqueror but Allah.




This is a space that's designed hypnotically through the repetition of pattern and design and inscription to focus our minds solely and exclusively on the higher reality of God.

wendyxanadu

The Moors might have been coming to the end of their power and influence in Spain, but they were determined to go out in style. The Alhambra is like the greatest hits of Moorish design, with the volume turned up to 10. It's the absolute summation of everything that made the art of Islamic Spain so extraordinary, a place where the expression of power and deep spirituality that eternal search for paradise are absolutely intertwined.
There's such a scrum of tourists in the Alhambra today that I think it makes it pretty difficult to appreciate this place as it was originally meant to be appreciated which is as a space of contemplation and reflection. Each of the spaces in this palace were meant to bring you closer to God. And that's the fundamental purpose of this wonderful room called the Hall of the Ambassadors which is all about pattern and geometry. The numbers seven and four are repeated everywhere in this space. Seven signifies the stages by which the soul ascends to God. And four represents the number of areas into which the vault of heaven could be divided. And we see that reflected in this magnificent ceiling. But the seven and the four lead us ineluctably to the one. And that's the message that's reinforced in all of these inscriptions, there is no God but Allah, there is no conqueror but Allah. This is a space that's designed hypnotically through the repetition of pattern and design and inscription to focus our minds solely and exclusively on the higher reality of God.

This post was generated by put listening repetition system,  Check the original dictation thread!

tribanana

the Moors might have been coming to the end of their power and influence in Spain, but they
would determine to go out in style, The Alhambra is like a greatest xxx of Moorish design,
with the volume turned up to ten, it's the absolute summation of everything that made the
art of the Islamic Spain so extraordinary, a place where the expression of the power and
deep spirituality that eternal search for paradise are absolutely intertwined

there's such a scrum of tourists in the Alhambra today, I think, it makes a pretty difficult
to appreciate this place as it was originally meant to be appreciated, which is as a space
of contemplation and relection, each of these spaces in this palace was meant to bring you
closer to God, and that's the fundmental purpose of this wonderful anchor, the hall of
ambassador which is all about pattern and geometry

the number 7 and 4 are repeated everywhere in this space, 7 signifies the stages by which
the soul ascends to God, and 4 represents the number of areas into which the vault of heaven
could be divided, can we see that reflected in this magnificent ceilling.

but 7 and 4 lead us ineluctably to the one, and that's the message that's reinforced in all
of these inscriptions, there is no God but Allah, there is no conqueror but allah.

this is the space that is designed hypnotically through the repetition of the pattern and
design and inscription to focus our minds solely and exclusively on the high reality of
God

                                                   
This post was generated by put listening repetition system,  Check the original dictation thread!