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[文化博览] 【整理】2013-02-25 狄更斯其人 Charles Dickens—9

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[文化博览] 【整理】2013-02-25 狄更斯其人 Charles Dickens—9

 

 

 

BBC: Armandos Tale of Charles Dickens  | BBC 狄更斯其人


     阿曼多·阿努奇通过研究狄更斯的自传体小说《大卫·科波菲尔》探究了狄更斯究竟是如何成为了世界顶尖的英国作家。虽然狄更斯常被人们认为是一个社会改革家,并因为其维多利亚风情浓厚的著作而闻名天下,但是,BBC却另辟蹊径,从作品出发,研究为什么狄更斯的作品如此引人入胜,他的作品对21世纪的今天有何种启示...



 

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shihongmei2828在 整理的原文:
Now there is this thing about Mrs. Gamp.



Obviously Mrs. Gamp who is the nurse in Martin Chuzzlewit.



Is this sentence where he goes, “It was difficult to enjoy her society without becoming conscious of a smell of spirits.”?



Yes,



So what he’s basically saying is a woman stank of alcohol, but the way he puts it, it was difficult to enjoy her company,



Yeah, yeah…



And, but Mrs Gamp again, is kind of like a character from what Psychoville those, she’s just a small, squat woman,



Yes,



What you can do is, you can put out a bottle of spirits on the side, and she says, I may take a drink or I may not, it depends on how I will be disposed to, she will, she will drink the whole lot, is what will happen.



I’m devoted to Pickwick Papers and Mr, Jingle



Yes,



You know, he’s a complete conman, you know, he’s a real con, and he speaks very fast so nobody else can get a word in, yes, bang, bang, bang like a machine gun, I thought a very funny character.  



It’s desperately dark as well, like, it's a man talking about how a woman’s head was knocked off by the top of an arch in front of her children. And then he’s going, she couldn’t even eat a sandwich, she did't have a head anymoe. Heads, heads, take care of your heads, cried the loquacious stranger as they came out onto the low archway, which those days formed the entrance to the coach yard. Terrible place, dangerous work, other day, five children, mother, tall lady, eating sandwiches, forgot the arch, crash, knock, children look around, mother’s head off, sandwich in her hand, no mouth to put it in, head of a family off, shocking, shocking, didn’t keep a sharp look out enough, Eh,Sir, Eh?



That's Peston on about 17 espressos.



Yes, that's spot on.

It’s that sense of the rhythms, the rhythms of colloquialism, and the way people speak, because in reality, you know we don’t finish our sentences, and we all interrupt each other, that's the performer in him.



There’s a bit from Bleak House here with a little child raod sweeper, she says to me, she says "Are you the boy at the Inkwhich," she says, I says ”yes”, I say, she says to me, she says, can you show me all them places, I says “yes I can” and she says to me do it, and I dun it, and she gave me sovereign and hooked it, and I haven’t had much of the sovereign neither, fur I had to pay five bob down in Tom-all-Alone’s before they square it fur to give me change and then a young man he thieved another fiver while I was asleep, and another boy thieved 9 pence



I'm half expecting you now to go,  Am I bothered? you know, yes.

Exactly.

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Homework:

Now there is this thing about Mrs. Gamp.

Obviously Mrs. Gamp who is the nurse in Martin Chuzzlewit.

Is this sentence where he goes, “It was difficult to enjoy her society without being conscious of the smell of spirits.”?

Yes,

So what he’s basically saying is just a woman stunk of alcohol, but the way he puts it, it was difficult to enjoy her company,

Yeah, yeah…

And, but this is Gamp again, is kind of like a character from what psych of those, she’s just a small squat woman,

Yes,

What you can do is, you can pour out a sort of a bottle of spirits on the side, and she says, I may take a drink or I may not, it depends on how I will be disposed to, she will, she will drink the whole lot, despite of what will happen.

I’m devoted to pick with papers.

Yes,

And Mr. Jingle. You know, he’s a complete conman, you know, he’s a real con, and he speaks very fast so nobody else can get a wording, yes, bang, bang, bang like a machine gun, I thought a very funny character.  

It’s desperately dark as well, like, what, he’s a man talking about how a woman’s head was knocked off by the top of an arch in front of her children. And then he’s going, she couldn’t even eat a sandwich, you cold ditch, you gotta hand me more.

Heads, heads, take care of your heads, cried the loquacious stranger as they came out onto the low archway, which in those days formed the entrance, look out, Ashar, terrible place, dangerous work, other day, five children, mother, tall lady, eating sandwiches, forgot the arch, crash, no, children look around, mother’s head off, sandwich in a hand, no mouth to put it in, head was fumbled off, shocking, shocking, didn’t keep Ashar look out that way, Acer, eat.

That's piston on about 17 espressos.

Yes, yes, his ass fucked off.

It’s that sense of the rhythms, the rhythms of colloquialism, and the way people speak, because in reality, you know we don’t finish our sentences, and we all interrupt each other, the forms are random.

There’s a bit from Bleak House, here we have a little child, Road Sweeper, she says to me, she says are you the boy at the inkwhich, she says, I says ”yes”, I say, she says to me, she says, you could try New Orleans places, I says “yes I can” and she says to me do it, and I done it, and she gave me sov’ring and hooked it, and I haven’t had much of the sov’ring neither, for I had to pay five bob down in Tom-all-Alone’s before they square it for to give me change and then a young man he thieved another five while I was asleep, and another boy thieved 9 pens

I’m afraid ,you know, have to go, am I bothered, you know, yes.

Remarks: what a mess, that’s why I hate classic literature. And British accent is so obscure, especially when you're not a politician.
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[Homework]2013-02-25 狄更斯其人 Charles Dickens—9

Now this is the thing about Mrs. Gamp.
Obviously Mrs. Gamp, a nurse in Martin Chuzzlewit.
Is this sentence where he goes,It is difficult to enjoy her society without becoming conscious of a smell of pirits.
Yeah.
So what is basically saying is this woman stank of alcohol. But the way he put it, it was difficult to enjoy her company.
Yeah, yeah.
And Mrs. Gamp again, is kind of like a character from most psycho of those, she is the small squat woman. What you can do is you can pour out a sort of a bottle of spirits on the side. As she says, I may take a drink, or I may not, it depends on how I will be disposed to, she will, she'll drink the whole lot, despite of what will happen.
I'm devoted to pick with papers. And Mr. Jingle, you know, he's a complete conman, you know, he's a real con. And he speaks very fast, so nobody else can get a word of him. (Yes, he...) Bang, bang, bang, (that's right) like a machine gun, that's a very funny character.
It's desperately dark as well, like, what, he's a man talking about how a woman's head was knocked off by the top of the arch in front of her children. And then he's going, she couldn't even eat a sandwich, you cold ditch, give me head now.
Heads, heads, take care of your heads, cried the loquacious stranger. They came out under the low arch way, which in those days formed the entrance, look out, terrible place, dangerous work, other day, five children, mother, tall lady, eating sanwiches, forgot the arch, crash, no, children look around, mother's head off, sanwich in the hand, no mouth to put it in, head * off, shocking, shocking, didn't keep Asher look out in that way, Acer, eat.
That's piston on about 17 espressos.
It's that, that sense of the rhythms, the rhythms of colloquialism, and the way people speak. Because in reality, you know, we don't finish our sentences, we all interrupt each other, the forms are random.
There is a bit from Bleak House, here was a little child, Road Sweeper, she says to me, she says are you the boy at the inkwhich, I says yes I can, I says. And she says to me do it, and I done it, and she gave me sov'ring and hooked it, and I ain't had much of the sov'ring neither, for I had to pay bob down in * before they square it for to give me a change, and then a young he thieved another five while I was asleep, and another boy thieved nine pens.
I'm afraid, you know, to go, am I bothered, you know. Yes, yes.

This post was generated by put listening repetition system,  Check the original dictation thread!
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[Homework]2013-02-25 狄更斯其人 Charles Dickens—9

-Now there's the thing about Mrs Gamp.-Obviously, Mrs. Gamp who is a nurse in Martin C*wit.
-Is this sentence where he goes, it was difficult to enjoy her society without becoming conscious of a smell of spirits.? So what he is basically saying is just a woman stank of alcohol, but the way he put it, it was difficult to enjoy her company. And, but this is Mrs. Gamp is kind of like the character from the psych *. She's just a small, squat woman. What you can do is you can pour out a bottle of spirits on the side and she says,I may take a drink, or I may not. It depends on how I was to be disposed. She will. She will drink a whole lot, despite what would happen.
-I'm devoted to pick with papers. (-Yes) And Mr. Jingle, you know, is a complete conman. You know, he's a real con. And he speaks really fast and nobody can get a word of him. (-Yes.)Bang, bang, bang, like machine gun. I thought it a very funny character.
-It's desperately dark as well. Like what if a man talking about how a woman's head was knocked off by the top of an arch in front of her children. And then he's going to say she couldn't eat a sandwich. You cold ditch, * hand me more.
-Heads, heads, take care of your heads, cried the loquacious stranger, as they came out onto the low archway, which knows the stages for the entrance, the coach yard. Terrible place, dangerous work, other day, five children, mother, tall lady, eating sandwiches, forgot the arch, crash, knock, children look around, mother's head off, sandwich in a hand, no mouth to put it in, head of a family off, shocking, shocking,didn't keep a sharp, looking out in that way. Arthur, ate.
-There's a piston on about 17 Espressos.
-Yes.
-It's that, that sense of rhythms, rhythms of colloquialism, and the way people speak, because in reality, you know, we don't finish our sentences. We all interrupt each other.
-A form in random.
-There's a bit from Bleak House. Here was a little child, a road sweeper.
-Yeah.
-She ses to me she ses are you the boy at the inkwhich? She ses. I ses yes I ses. She ses to me she ses you can try all new places? Yes, I can. I ses. And she ses to me do it and I dun it and She gives me a sov'ring *. And I an't had much of the sov'ring neither. For I'd pay five bob down in Tom-all-Alone's, afore they square it for to give me change. And the young man, he thieved another five while I was asleep. And another boy thieved nine pens.
- I'm afraid, you know, I have to go. Am I bothered?  
- Yes. Exactly.

This post was generated by put listening repetition system,  Check the original dictation thread!
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HM
Now there is this thing about Mrs. Gamp
Mrs. G who is the nurse in Martin C
Is this sentence where he goes, it was difficult to enjoy her society without becoming conscious of a smell of spirits. So what he is basically saying is this woman stank of alcohol, but the way he puts it, it’s difficult to enjoy her company. But Mrs. G began, is kind of like character for what Psychoville, she is just small, squat woman.
What you do it, you can pull out a bottle of spirits on the side, she says I may take a drink or I may not, it depends on how I will be disposed to, she will, ***, is what will happen.
I am devoted to Pickwick Papers and Mr. J, you know, he is complete conman, you know, he’s real conman, and he speaks very fast nobody else can get a word in.
Yes, bang, bang, bang like a machine gun, that’s right, I think a very funny character.
That’s pretty dark as well, like what, it’s a man talking about how a woman’s head was knocked off by the top of the arch in front of her children. And then he is going, couldn’t even eat a sandwich, could ** a head any more.
Heads, heads, take care of you heads, cried the loquacious stranger as they came out under the low archway, which those days formed the entrance the coach yard, terrible place, dangerous work, other day, five children, mother, tall lady, eating sandwiches, forgot arch, crash, knock, children look around, mother’s head off, sandwich in hand, no mouth to put in, head of a family off, shocking, shocking, then keep a sharp look out enough, eh, sir, eh
That’s Peston on about 17 espressos.
Yes
That’s sense of rhythms, the rhythms of colloquialism and the way people speak because in reality, you know we don’t finish our sentences, we all interrupt each other, the performer in him.
There is a bit from Bleak House here with a little child road sweeper, she says to me, she says are you the boy at the Inkwhich, she says, I says yes, I say, she says to me, she says you can show me all them places, I says yes I can, I says, she says to me do it, and I done it, and she give me sovereign and I hooked it, and I haven’t had much of sovereign neither, for I had to pay five bob down in Tom-all-Alone’s before it square it for to give change and then a young man he thieved another five while I was asleep, and another boy thieved 9 pence.
I’m half expecting you now to go, am I bothered? You know,
yes exactly
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