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[文化博览] 【整理】文化 2008-01-10, Beethoven 贝多芬 - 05

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The typical piano of 1793 in Vienna was fairly light instrument and it was very well suited to the kind of pianism that were very most conventional in Vienna at that time. Beethoven changed the whole style of playing. He wanted bigger pianos and loud pianos. And we know that he broke strings. He smashed hammers. He also wrote music that implied that piano rang was too small, I mean, you keep going to the last note of piano and implied that music can really go higher but you cant'. That's something that Mozart rarely did on rare occasions but Beethoven did it fairely constantly.

Hyden's inflence on Beethoven came from his music,not his role as a tutor. Beethoven once claimed that he learned nothing from his lessons. What difference in Beethoven is the emotional seriousness. The feeling that one has his music somehow deeply moral and there is no question about the amount of resentment of Beethoven inspired his audiences when he first appeared largely because of his way made listener concentrate on the motivated work in the piece, the way he would take one single motif then you have to realize the way of this motivated piece appeared different forms throughout the work.

People didn't like to be forced to listen to music without attention. On several occasions Beethoven rebelled when the audiences treated his music as mere background entertainment. Beethoven's rebelliousness surfaces into Sonata --C minor. A work which seemed to be a subsersive composition. One of influences on him was the great poet, dramatist and philosophy Freerich Schiller. Schiller described tragic art as having to do with simply to do description of human suffering but the attempt to resist succumbing to suffering, in another words, resisting an attitude of resignation and this approach I think is reflected even at the very beginning of a piece like -----, we have this laden chords in the low register, stress in complex, dissonant sounds like the one. I'm playing here. We hear in the main fast section of the piece as a gesture of resistance to this suffering.



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