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[文化博览] 【整理】文化 2008-01-10, Beethoven 贝多芬 - 05

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The typical piano of 1796 in Vienna, with a frothy light instrument and it was very well suited to the kind of pianism that ??conventional in Vienna at that time.

Beethoven changed the whole style of play. You want bigger pianos, you want louder pianos, and we know that he broke strings, he smashed hammers, he also wrote music that imply that the piano ring was too small, I mean, you keep going to the last vote of the piano and implying music is really go as high as you can, as something that really did only on reary occasions what Beethoven does is fairly constantly.

Hidens employed on Beethoven came from his music, not his role as tutor. Beethoven once claimed he’d learned nothing from the lessons.

One is different in Beethoven is the emotional seriousness. The feeling that one has in his music is somehow deeply moral and there is no question about the mountain present of Beethoven inspire his or his when he first heart largely because of the way he made the listen of concentrate on the..the motif work in the piece, the way he would take one single motif and then you had to realize the way this motif appeared to different forms throughout the world.

People didn’t like to be forced to listen to music without attention. On several occasions, Beethoven rebelled when the ordean stratic as music as near background of the entertainment.

Beethoven’s rebelliousness surfaces into sino pathetic and see miner work which seem to be a sibersive conpesition, one of the influences own him was the great pooled dramatist and philosopher free drik Sheler . Sheler discribed tragic art as having to do with not simply the depiction of human suffering, but the attemp to resist see coming to suffering, another world resisting and attitude towards resignation and this approach I think is reflected even at the very beginning of the the piece like was ?? of 13.

Begging, cores in the love register, stressing, complex, dissanent sounds like one that played here.
We hear in the main fa-section of the piece as a gesture of resistence to this suffering.
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