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[访谈录] 【整理】2008-02-03&02-05, 采访李小龙-2

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Well, I mean, definitely, in the beginning, I have no intention or whatsoever, that what I was practicing and what I’m still practicing now will lead to this, (Well I know) to begin with. But martial art has a very, very deep meaning as far as my life is concerned because as an actor, as a martial artist, as a human being, all these I have learned from martial arts.

Maybe for our audience who doesn’t know what it means, you might explain exactly what you mean by martial art.

Right. Martial arts include all the combative arts like karate, judo, Chinese kung fu, or Chinese boxing whatever you call it , all those, you see like aikido. I can go on and on and on. But it’s a combative form of fighting, I mean it’s not, some of them became sport but some of them are still not, I mean, they are used, for instance, kicking to the groin, jabbing fingers at the eyes and things like that.

No wonder successful Chinese movies are full of this kind of action anyway. They needed a guy like you
(violence man)
So you didn’t have to use a double when you moved into the motion picture role here, you did it all yourself? Can you break five or six pieces of wood with your hand or your foot?

I’ll probably break my hand and foot.

But tell me a little bit, you set up a school in Hollywood, didn’t you, for people like James Gardner, Steve McQueen and the others. Why would they want to learn Chinese martial art, because of a movie role?

Not really, most of them, you see, to me, at least the way, I mean, when I teach it, all type of knowledge ultimately means self knowledge. So therefore they’re coming into, I mean, and ask me to teach them not so much of how to defend themselves or how to do somebody in. Rather, they want to learn to express themselves through some movement, be it anger, be it determination or whatsoever. So in other words, what I'm saying therefore is that he’s paying me to show him in combative form the art of expressing the human body.

Which is acting in a sense, or it was a useful tool for an actor to have.

It’s, I mean, I might, it might sound too philosophical, but it’s unacting acting or acting unacting.

You’ve lost me.

I have, so what I’m saying actually you see, I mean it’s a combination of both, I mean here is the natural instinct, and here is the control. You are to combine the two in harmony, not, if you have one to the extreme, you’ll be very unscientific.
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