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[文化博览] 【整理】文化 2008-02-05, Beethoven 贝多芬 - 16

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The first sketches for the opening Movement of the Nineth Symphony date from 1817 but the intensive work was done in this house in Bardon seventeen years later. Over sixhundred pages of sketches survive. Beethoven then had asked whether the philharmonic society of Longdon might be interested in commissioning a grand symphony and they offered him fifty pounds for two symphonies. The idea of setting Shirler’s Ode two joy to music dates back to Beethovenis’s time in Bonn. The sketch book shown how he wrote out the words of the old two joy and put them in bars but at first with no tune. He laboriously refined the famous melody and hint that throughout the symphony.

“In the midst to the first movement, we suddenly hear this which is very similar to and in the second movement even in the right key, we have and in the third movement, there is this. All alluding to finally. So that is the wonderful thread that leads you right through the symphony. It’s totally subconscius and sort of thing that later composers Marlor particularly in his ninth symphony symphony uesd to stunning effect.”

Beethoven had a very special relationship with singers and choruses because he imaged them as a kind of idea group of people who get together through the power of music and in the last movememnt of the ninth symohony, this is very clear (it’s) as if he is saying that just by people singing together , something happens to them. They are changed through the power of music. This is Beethoven.

It was a great success at his first performance. Beethoven was on the stage conducting to the side of the real conductorand at the end of it, he couldn’t hear the applause ,of cource. They had to turn him around to face the audiences to hear the applause wonderfully moving moment and yet he was actually quite disppointed that this symphony didn’t earn as much money as he expected it to.
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