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[探索发现] 【整理】2008-07-20 The Genius of Photography 摄影演义后传- 13

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[探索发现] 【整理】2008-07-20 The Genius of Photography 摄影演义后传- 13

The Genius of Photography 摄影演义


In the course of our 170 year relationship, photography has delighted us, served us, moved us, outraged us and occasionally disappointed us. But mainly, it has intrigued us by showing the secret strangeness that lies beneath the world of appearances. And that is photography's true genius.





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【整理】——sylvia_qian

For reference only

 

“The elusive lends itself towards the surrealists and the factuality lends itself towards those who are, you know, deeply connected to all the minutia of life.”

The world's least likely surrealist died a few months after his discovery. By then, his documents had been appropriated by Europe's avant-garde. In 1929, they were shown alongside works by Man Ray and others at the influential film and photo show held in Stuttgart.

“29 was a phenomenal year for photography, it had the famous film and photo exhibition, just show you the catalogue full. So it's really likely to find in moment, the statement, really about where photography had gone. Well, this is Bayard, Man Ray from Paris, Hannah Hoch, Edward Weston, Atget, Lissitzky, Moholy-Nagy, Piet Zwart the designer, and in fact, even the British Cecil Beaton gets a look in. Interestingly, we are virtually excluded, as Britain was quite asleep during the 20s, if you like, photographically. The action was in Germany and Russia.”

But in Russia and Germany, the action was about to take a sinister turn. Stalin's Great Terror, unleashed in 1934, had created a legion of the damned. Heroes of the Soviet Union now declared enemies of the people. First, they were liquidated, then removed from history. Propaganda publications had to be kept up to date as arrest, followed arrest. Alexander Rodchenko, the master of montage, who could turn gulag slaves into rehabilitated workers, was now forced to doctor books that he himself had created, using black ink to turn apparatchiks into un-people.

“These were the photographs that Rodchenko’d been commissioned to make and the book that he had been commissioned to make, and that he had been forced, either actively or passively, to destroy. That becomes a diary of repainting, of obliteration, of destroying or what by, by adding to it. The interesting thing is that do you naturally concentrate on the kind of face area? But then actually if you look at the kind of shoulders in the position of the body, the un-obliterated area which is the clothes and the shoulders and parts of the body, then they still seem to proclaim the human being underneath the obliteration.”

 

Vocabulary:

 

lend itself toward: (=lend itself to) To give a chance for or be useful for; to be possible or right for

All of these will lend itself toward a renewed focus on content, which is a very exciting thing for me as a big step toward the high-definition three-dimensional canvas which I originally envisioned with the ORB.

minutia: a minute or minor detail ― usually used in plural

Peter has noted that there are emotional and cultural universals that stretch across ethnicities, across national borders, with differences only in the minutia.

apparatchik: an official who works for a government or other organization and who obeys orders without thinking

 

 

[ 本帖最后由 sylvia_qian 于 2008-7-21 21:33 编辑 ]

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Homework (今天的作业好难哈 )

 

The elusive / itself towards the surrealists and the factuality learns itself towards those who are, you know, deeply connected to all the / of life.

 

The world's list like this surrealist died a few months after his discovery. But then, his documents have been appropriated by Europes /. In 1929, it was shown alongside works by Man Ray and others at the influential film and photo show held in Stuttgart.

 

29s phenomena in Europe for photography had the famous film and photo exhibition / catalog /. So it's really act to find in memont, these statement, really about where photography had gone. (You'll be going there) Well, this is /, Man Ray from Paris. Hamahoc / Atget. / and /. / the designer and in fact, even the British / beacon gets a looking. Interestingly, we are virtually / as Britain was quite sleep during the 20s if you like photographically. The action was in Gemany and Russia.

 

But in Russia and Gemany, the action was about to take a sinister term. / great / unleashed in 1934 had created a lesion of the damned. Heroes of the Soveit Union now declared enemies of the people. First, they were liquidated, then removed from history. Propaganda publications had to be kept up to date as the rest followed the rest. /, the master of /, who can turn / slaves into rehabilitated workers was now forced to doctor books that he himself had created. Using black ink, to turn / cheeks into unpeople.

 

These were the photographs that / commission to make and a book / commission to make and he had been forced by the actively or passively to destroy. He becomes a diary of repainting of obliteration of destroying or what by, by adding to it. The interesting thing is that do you not / concentrate on the kind of face area, but / if you look at the kind of shoulders in the position of the body, the un-obliterated area which is clothes and the shoulders and parts of the body, in a still seem to proclaim the human being underneath the obliteration.

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on wukeyu123

The elusive / itself towards the surrealists and the factuality learns itself towards those who are, you know, deeply connected to all the / of life.

 

The world's list like this surrealist died a few months after his discovery. But then, his documents have been appropriated by Europes /. In 1929, it was shown alongside works by Man Ray and others at the influential film and photo show held in Stuttgart.

 

29s phenomena in Europe for photography had the famous film and photo exhibition / catalog /. So it's really act to find in moment, these statement, really about where photography had gone. (You'll be going there) Well, these are /, Man Ray from Paris. Hamahoc / Atget. / and /. / the designer and in fact, even the British / beacon gets a looking. Interestingly, we are virtually soluted as Britain was quite asleep during the 20s if you like photographically. The action was in Gemany and Russia.

 

But in Russia and Gemany, the action was about to take a sinister turn. / great tailorunleashed in 1934 had created a lesion of the damned. Heroes of the Soveit Union now declared enemies of the people. First, they were liquidated, then removed from history. Propaganda publications had to be kept up to date as the rest followed the rest. /, the master of /, who could turn / slaves into rehabilitated workers was now forced to doctor books that he himself had created. Using black ink, to turn / cheeks into unpeople.

 

These were the photographs that / commission to make and a book / commission to make and he had been forced by the actively or passively to destroy. He becomes a diary of repainting of obliteration of destroying or what by, by adding to it. The interesting thing is that do(去掉) you not / concentrate on the kind of face area, but / if you look at the kind of shoulders in the position of the body, the un-obliterated area which is clothes and the shoulders and parts of the body, in a still seem to proclaim the human being underneath the obliteration.

1

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实现无障碍英语沟通
on Susan18062025

The elusive lends itself towards the surrealists and the factuality lends itself towards those who are, you know, deeply connected to all the minutia of life.

The world's least likely surrealist died a few months after his discovery. By then, his documents had been appropriated by Europe's avant-garde. In 1929, they were shown alongside works by Man Ray and others at the influential film and photo show held in Stuttgart.

29 was a phenomenal year for photography, had the famous film and photo exhibition * cataloged for. So it's really a defining moment, THE statement, really about where photography had gone. (What've we gotten there?) Well, this is Bayard, Man Ray from Paris, Hannah Hoch, Edward Weston, Atget, Lissitzky, Moholy-Nagy, Piet Zwart the designer and in fact, even the British Cecil Beaton gets a looking. Interestingly, we are virtually excluded, as Britain was quite asleep during the 20s, if you like, photographically. The action was in Germany and Russia.

But in Russia and Germany, the action was about to take a sinister turn. Stalin's Great Terror, unleashed in 1934, had created a legion of the damned. Heroes of the Soviet Union now declared enemies of the people. First, they were liquidated, then removed from history. Propaganda publications had to be kept up to date as arrest followed arrest. Alexander Rodchenko, the master of montage, who could turn gulag slaves into rehabilitated workers, was now forced to doctor books that he himself had created, using black ink to turn apparatchiks into unpeople.

These were the photographs that Rodchenko being commissioned to make and a book he's being commissioned to make, and that he had been forced, either actively or passively, to destroy. That becomes a diary of repainting, of obliteration, of destroying or what by, by adding to it. The interesting thing is that do you natually concentrate on the kind of face area? But then actually if you look at the kind of shoulders in the position of the body, the un-obliterated area which is the clothes and the shoulders and parts of the body, then they still seem to proclaim the human being underneath the obliteration.
[ 本帖最后由 ktdid 于 2008-7-20 10:01 编辑 ]
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  • sylvia_qian

專業代查字典兼回答一切可google到答案的問題
口译专员推荐—>口译训练软件IPTAM口译通
on ktdid

The elusive lens itself towards the surrealists and the factuality lens itself towards those who are, you know, deeply connected to all the minutia of life.

The world's least likely surrealist died a few months after his discovery. By then, his documents had been appropriated by Europe's avant-garde. In 1929, they were shown alongside works by Man Ray and others at the influential film and photo show held in Stuttgart.

29 was a phenomenal year for photography, had the famous film and photo exhibition just through Cataloge Full. So it's really like to find in moment, these statement, really about where photography had gone. (What've we gotten there?) Well, this is Bayard, Man Ray from Paris, Hannah Hoch, Edward Weston, Atget, Lissitzky, Moholy-Nagy, Piet Zwart the designer and in fact, even the British Cecil Beaton gets a looking. Interestingly, we are virtually excluded, as Britain was quite asleep during the 20s, if you like, photographically. The action was in Germany and Russia.

But in Russia and Germany, the action was about to take a sinister turn. Stalin's Great Terror, unleashed in 1934, had created a legion of the damned. Heroes of the Soviet Union now declared enemies of the people. First, they were liquidated, then removed from history. Propaganda publications had to be kept up to date as arrest followed arrest. Alexander Rodchenko, the master of montage, who could turn gulag slaves into rehabilitated workers, was now forced to doctor books that he himself had created, using black ink to turn apparatchiks into unpeople.

These were the photographs that Rodchenko being commissioned to make and a book he's being commissioned to make, and that he had been forced, either actively or passively, to destroy. That becomes a diary of repainting, of obliteration, of destroying or what by, by adding to it. The interesting thing is that do you natually concentrate on the kind of face area? But then actually if you look at the kind of shoulders in the position of the body, the un-obliterated area which is the clothes and the shoulders and parts of the body, in a (听到有这个a词) still seem to proclaim the human being underneath the obliteration.
1

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  • sylvia_qian

一点儿拙见 和 一个问题

唉, 俺能听出的都被你们改掉了。

 

对于最后一句的 “in a” 有点儿不同看法 俺觉得是 they now

 

which is the clothes and the shoulders and parts of the body, they now still seem to proclaim the human being underneath the obliteration.

 

 

问个问题:

     那些变态的人名或地点,怎样才能拼得出?我听音拼出来的,七八成都不对。

是该多看多听好呢还是专门儿记一下这类的词?

[ 本帖最后由 101010011001 于 2008-7-20 15:53 编辑 ]
好好学习,天天向上。

我有点傻
我有点呆

on wukeyu 123

“The elusive lens itself towards the surrealists and the factuality lens itself towards those who are, you know, deeply connected to all the minutia of life.”

The world's least likely surrealist died a few months after his discovery. By then, his documents had been appropriated by Europe's avant-garde. In 1929, they were shown alongside works by Man Ray and others at the influential film and photo show held in Stuttgart.

“29 was a phenomenal year for photography, had the famous film and photo exhibition just through
 the catalogue for. So it's really like to find in moment, the statement, really about where photography had gone. (What've we gotten there?) Well, this is Bayard, Man Ray from Paris, Hannah Hoch, Edward Weston, Atget, Lissitzky, Moholy-Nagy, Piet Zwart, the designer and in fact, even the British Cecil Beaton can get/s/ a looking. Interestingly, we are virtually excluded, as Britain was quite asleep during the 20s, if you like, photographically. The action was in Germany and Russia.”

But in Russia and Germany, the action was about to take a sinister turn. Stalin's Great Terror, unleashed in 1934, had created a legion of the damned. Heroes of the Soviet Union now declared enemies of the people. First, they were liquidated, then removed from history. Propaganda publications had to be kept up to date as arrest, followed arrest. Alexander Rodchenko, the master of montage, who could turn gulag slaves into rehabilitated workers, was now forced to doctor books that he himself had created, using black ink to turn apparatchiks into un
-people.

These were the photographs that Rodchenko being commissioned to make and a book he's being commissioned to make, and that he had been forced, either actively or passively, to destroy. That becomes a diary of repainting, of obliteration, of destroying or what by, by adding to it. The interesting thing is that do you
naturally concentrate on the kind of face area? But then actually if you look at the kind of shoulders in the position of the body, the un-obliterated area which is the clothes and the shoulders and parts of the body, then they still seem to proclaim the human being underneath the obliteration.

实现无障碍英语沟通
lend itself to BE SUITABLE FOR, be suited to, be appropriate for, be applicable for.

... film and photo exhibition. Just show you a catalogue for. 偶开始以为是个人名。。

最后一句,in a恐怕很难解释,you know到有可能,只要改一下断句

Cecil Beaton后面那个/n/貌似应该是人名里的,熊猫再听听?

to 101010011001:
人名地名自然是靠google,有些前面的节目里出现过
俺倒是有个问题,你的名字是啥意思啊?A99? 5231? 2713?
[ 本帖最后由 ktdid 于 2008-7-20 19:38 编辑 ]
1

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  • sylvia_qian

專業代查字典兼回答一切可google到答案的問題
普特听力大课堂

lend itself to: BE SUITABLE FOR, be suited to, be appropriate for, be applicable for

kitdid童鞋的意思是这里 lend itself to=lend itself toward 对吧

虽然大部分词组里 to=toward,可是偶没有查找 lend itself toward 的相关使用诶

 

Cecil Beaton后面那个/n/貌似应该是人名里的,熊猫再听听?
谢谢指正哈 确实如此,难怪开始偶觉得get后面有个s发音滴

 

好栏目推荐之美国口语俚语
第一句是连着前面的话的
I guess part of the greatness of Atget is his utility to all kinds of photographers. He's capable of recognizing the great broth of details that the world offers at any given moment, the hard fact of it and yet the elusive nature of details. The elusive lends itself towards the surrealists and the factuality lends itself towards those who are, you know, deeply connected to all the minutia of life.
说Atget的伟大之处在于任何一类摄影师,无论是超现实主义者,还是关注细节的,都可以从他那里各取所需。

金山里lend vt.的解释:
(4) To accommodate or offer (itself) to; be suitable for:
适于:为…提供方便或把(自己)贡献给;适合于:
The Bible lends itself to various interpretations.
《圣经》有不同的阐释

"lends itself towards"至少可以google到几千条,lens itself在这里又作何解释,镜头?动词or名词?
專業代查字典兼回答一切可google到答案的問題
PS,昨晚正好国家地理频道放带中文字幕的这个片子,有几处终于搞明白了。。
Rodchenko折纸那块,a different Stalin应该是our dear friend Stalin
还有前两期Man Ray那个照片,最后一句是Dust Breeding delights ... and mocks ...
偶懒得翻出来改了

1

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  • sylvia_qian

專業代查字典兼回答一切可google到答案的問題

on sylvia_qian

 

 

“The elusive lends itself towards the surrealists and the factuality lends itself towards those who are, you know, deeply connected to all the minutia of life.”

 

 

The world's least likely surrealist died a few months after his discovery. By then, his documents had been appropriated by Europe's avant-garde. In 1929, they were shown alongside works by Man Ray and others at the influential film and photo show held in Stuttgart.

 

 

“29 was a phenomenal year for photography, it had the famous film and photo exhibition just through with catalogue full. So it's really likely to find in moment, the statement, really about where photography had gone. (where have we gone from there?). Well, this is Bayard, Man Ray from Paris, Hannah Hoch, Edward Weston, Atget, Lissitzky, Moholy-Nagy, Piet Zwart, the designer and in fact, even the British Cecil Beaton can get  a look/ in . Interestingly, we are virtually excluded, as Britain was quite asleep during the 20s, if you like, photographically. The action was in Germany and Russia.”

 

 

But in Russia and Germany, the action was about to take a sinister turn. Stalin's Great Terror, unleashed in 1934, had created a legion of the damned. Heroes of the Soviet Union now declared enemies of the people. First, they were liquidated, then removed from history. Propaganda publications had to be kept up to date, as arrest / followed arrest. Alexander Rodchenko, the master of montage, who could turn gulag slaves into rehabilitated workers, was now forced to doctor books that he himself had created, using black ink to turn apparatchiks into un-people.

 

 

These were the photographs that Rodchenko had been commissioned to make and a book he had been commissioned to make, and that he had been forced, either actively or passively, to, to destroy. That becomes a diary of repainting, of obliteration, of destroying or what by, by adding to it. The interesting thing is that do you naturally concentrate on the kind of face area? But then actually if you look at the kind of shoulders in the position of the body, the un-obliterated area which is the clothes and the shoulders and parts of the body, then they still seem to proclaim the human being underneath the obliteration.


 

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原帖由 ktdid 于 2008-7-20 22:36 发表 第一句是连着前面的话的I guess part of the greatness of Atget is his utility to all kinds of photographers. He's capable of recognizing the great broth of details that the world offers at any given mom ...

 

偶明白kitdid童鞋修改的 lend itself toward 是正确的哈,只是郁闷了下偶没谷到

确实偶再次尝试还是谷不到这个用法,,因为偶在惆怅在vocabulary里怎么给出例子支持用法

刚偶是百度到的这个用法滴

 

BTW,偶开始以为是lens,是将lens误解为名词做动词用,理解成了使成镜像的感觉

这句偶就理解成了 the elusive  the surrealists 的镜像

就是the surrealists源自于the elusive, the elusivethe surrealists提供了基础

当然,偶发现如果像偶这样理解的话,这个动词的时态又不对鸟

 

谢谢ktdid童鞋哈

to ktdid

1代表 morse code中的  _

0则代表   .     在键盘上打数字比较简单

俺的名字实际是 _._.  _.._  _.._

                       c      x      x   (中文名的首字母)    

这是俺在试了好几个英文名字都不行的情况下被逼出来的,

 

 

你那signature 是啥意思?那国话?

[ 本帖最后由 101010011001 于 2008-7-21 13:51 编辑 ]
好好学习,天天向上。

我有点傻
我有点呆
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