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[文化博览] 【整理】2013-02-18 狄更斯其人 Charles Dickens—6

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HM
It’s not just a fascinating story from the prospect of little boy but actually quite a modern experimental excise in language, he is not like a serious novelist who, I think would conscious set out to impress us with the stylistic mastery has over description of child psychology, instead he wants to write himself out of the picture, he doesn’t want us to feel written at by an anchor, instead he wants to be pulled in to the work and to watch it and observe it from prospect of little boy sitting low on the floor at the world around him.
Dickens life-long sympathy was the way children think, actually affected everything he wrote.
I remember the very first time I took my son to see a film in cinema, and afterwards I asked him what you though of it? He said it’s very good just like DVD, you can only see once. And it’s that ability as a child to describe something, no way adult would, so I think Dickens always carried around with him.
Dickens wrote children’s stories for adults, he stressed the power of imagination, the power child has abundance is the way of describing and reacting to the world he saw around us, even as he mature as a writer, his novel read like fairy tales, if hero is growing up with wicked step-parents, running away, gaining vast fortunes, being lost and found.
In 1849, Dickens published the first installment of David Copperfield, like all his novels, it’s released as a serial, issued 19 monthly parts, Dickens was writing only weeks before his audience was reading him. The original manuscript is housed in the National Art Library at London’s Victoria and Albert Museum, and I had a look to see if it betrayed any signs of relentless pressure Dickens must have been under
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