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[文化博览] 【整理】2013-02-18 狄更斯其人 Charles Dickens—6

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It’s not just a fascinating story from the perspective of the little boy, but actually quite a modern experimental exercise in language. He’s not like a serious novelist, who, I think, would very consciously set out to impress us with the stylistic mastery has over description of child psychology. Instead, he wants to write himself out of the picture. He doesn’t want us to feel written at by an author. Instead, he wants us to be pulled in to the work and to watch it and observe it from the perspective of the little boy sitting low on the floor at the world around him.
Dickens’ lifelong sympathy was the way children think, actually affected everything he wrote.
I remember the very first time I took my son to see a film at the cinema. And afterwards I asked him what he thought of it. He said it was very good. It’s just like a DVD that you could only see once. And it’s that ability as a child to describe something, no way an adult would that I think Dickens always carried around with him.
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