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G: And Andrew, you know, what is amazing is that when you travel world, I went to New York, I went to M*, I was so shocked to see there is a row only for **. In the museum, very grand you find a whole room full of ....A: I think that's part of the story, because futurism turned art *** to Fascism. They got a bad name in Italy, but here in Milan there's one exception. Here in the city of futurism they did actually create and build, you know, great collection, which we are gonna see. I think we are just about there.
G: Yeah. We are in D*. We have to get out now.
A: And let's look at some electric art.
We're visiting the N* Museum, home to the best collection of futurist star in all Italy.
A: I really like this place. It's like a little capsule of futurism, all condensed into just a couple of galleries. Here, they begin there in Paris. They're in the cafes, reading the papers. They're doing what Picasso had done. They are trying to think what it would be like to be a modern artist. And I think suddenly on this rather wall, bang, you've got the answer. They turn...This is not a very well-known futurist A*, but he is turning to Milan. He's not in Paris. He's painting Milan. He's painting a man getting off a train.
G: Yes, it looks like for real. Look at that!
A: There's an explosion, isn't it?
A: I think what he is trying to capture that you know, we are on that train, you know that sense of that the world is not still. There is a sound that you can almost hear the shriek of the train.

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