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[文化博览] 2016-08-03 BBC:巴赫:激情的一生 Bach:A Passionate Life-16

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[文化博览] 2016-08-03 BBC:巴赫:激情的一生 Bach:A Passionate Life-16

 

英国广播公司:巴赫:激情的一生 BBC: Bach:A Passionate Life

 

John Eliot Gardiner追寻音乐家巴赫的生平。巴赫最有名的肖像画把他描绘成一个头戴假发、穿着一件正装的62岁的性情乖戾的老人;然而他最伟大的作品都是在他40多岁时创造力爆发的时期创作下的。纪录片展现了一个复杂而富有激情的艺术家;一个温和而顾家的人,同时又是一个拥有着强烈的宗教精神、并在与教会和国家的挣扎的同时谱下至今闻名的作品的人。John Eliot Gardiner带给大家一个德国的“巴赫游”;并使用音乐来展现一个真实的巴赫。 


John Eliot Gardiner goes in search of Bach the man and the musician. The famous portrait of Bach portrays a grumpy 62-year-old man in a wig and formal coat, yet his greatest works were composed 20 years earlier in an almost unrivalled blaze of creativity. We reveal a complex and passionate artist; a warm and convivial family man at the same time a rebellious spirit struggling with the hierarchies of state and church who wrote timeless music that is today known world-wide. Gardiner undertakes a 'Bach Tour' of Germany, and sifts the relatively few clues we have - some newly-found. Most of all, he uses the music to reveal the real Bach.



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Homework
..., in which there’s a very important bassoon obligato, a solo for the bassoon in xx the movements. It was a banana skin.

The bassoon part starts innocuously enough, honking away at a steady xx. But then comes a bassoonist’s worst nightmare.

In the space of about two and a half bars, he sends the bassoon through a whole list of different keys involving very very very complicated xx.

Deliberately or not, Bach has set a trap for his xx bassoonist.

He was writing for a fellow called “G Bach”, who in rehearsal made a complete hash of it. And Bach was exasperated to the point when he called him “a super faggotist” which can be translated variously as a nanny-goat bassoon or a green-horn bassoon. But in reality, Bach was calling him a “prick”.

Yet another translation is bassoonist breaking wind after eating a green onion. However G Bach understood the term, he didn’t like what he was hearing.
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[Homework]2016-08-03 BBC:巴赫:激情的一生 Bach:A Passionate Life-16

...to encounter his first, in which there was a very important bassoon obbligato, a solo for the bassoon in three of the movements. It was a banana skin.The bassoon part starts innocuously enough, honking away as it staedy o*. But then it comes a bassoonist's worst nightmare.
-Then the space of about two and a half bars, he sends the bassoon through a whole list of different keys, involving very, very, very complicated figuring.
Deliberately or not, Bach set a trap for his resident bassoonist.
-He was writing for a fellow called G* Bach, who in rehearsal made a complete hash of it. And Bach was exasperated to the point when he called him a super**, which can be translated variously as a nanny-goat bassoon or a green-hone bassoon, but in reality Bach was calling him a prick.
Yet another translation is bassoonist breaking wind after eating a green onion. However G* Bach understood the term, he didn't like what he was hearing.

This post was generated by put listening repetition system,  Check the original dictation thread!
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