[文化博览] 【整理】文化 2008-01-08, Beethoven 贝多芬 - 04

qingchengshan

Beethoven 贝多芬传

犹如蛟龙游遍浩瀚的大海，音乐王国哪里都有他翱翔的身影。他的后辈不可能将他的成就作为起点，只能重新做起，因为他的先辈已经到达艺术的绝顶！----《贝多芬传》






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Transcript (Revised) for Reference Only （Special Thanks to Sharpenxu)

 "Vienna at that time was a marvelous place for young musicians to go to. It has always been a city of pleasure or frivolity right back to the middle ages. The city was the most crowded city in Europe at the time. It had a population of probably around a quarter of a million, and that is about 25 times the size of Bonn. At the top society there would be endless balls, and then musical concerts, and then for the ordinary people in the streets there would be juggling acrobats, street music, puppeteers, but there was another side to it, as some one described it as a city of frivolity but despairing frivolity."

 

The rulers of Europe were terrified that the French Revolution would spread. In Vienna, the emperor tightened censorship and gave extra powers to the secret police, but instrumental music, the most abstract and least censorable of the arts, flourished.

 

“I think it was recognized from the beginning the extent to which Beethoven was within the whole influence of Mozart and, of course, Haydn, but I think it was also shocking from the beginning what he was doing to that and people really hated it, I mean there was… there is no question about the fact that from the beginning, Beethoven’s style of playing the piano and his style of composing were repellent.”

 

“Comments such as Beethoven’s music was hairbrained, ah, that, it was bizarre that it was really complex, that it jolted the listener out of transports. All of these comments came from musicians.”

 

“The openings of Op(Opus). 10 No.2. As a kind of Haydness quality I mean even that, is sort of more humorous than Haydn's, slightly more rough than Haydn would do but and you know that a little coarser than Haydn, but it still has the Haydn thing, but later in the piece--I mean all that, there was the basic keep going up, I mean that is the real Beethoven trick of, the middle years but he's already using when he was quite young and this sort of tremendous surge of energy that you get in there and this was something that people already complained about in Beethoven, this kind of violence that he was doing.”

[ 本帖最后由 seansxf 于 2008-3-7 21:51 编辑 ]

tanwang0791

Really difficult, especially the latter part said by people.

Vienna at that time was a marvelous place for young musicians to go to. It has always been a city of pleasure or frivolity right back to the middle ages.
The city was the most crowded city of Europe at the time. It had a population of probably around a quarter of a million, that is what 25 times size of a bomb~, at the top society there would be endless balls, and musical concerts, and then for the ordinary people in the streets there would be juggling acrobats, street music, p~, but there was an other sign tour, some one described it as a city of frivolity but despairing frivolity.
The rulers of Europe will terrify that the French Revolution would spread. In Vienna, the emperor tightened censorship and gave extra pulse to secret police, but instrumental music, the most abstract and least censurable of the arts, flourished.

“I think it was recognized from the beginning the extent of Beethoven was within the whole influence of most arts and cause heighten, but I think it was also shocking from the beginning what he was doing to that and people really hated it, I mean that there is no question about the fact that is from the beginning, Beethoven’s style of playing the piano and the start of composing were repellent.”
“Comments such as Beethoven’s hear brained, that it was bizarre that it was overly complex, that it jolted listener out of transports. All of these comments came from musicians.”
“The open ~~true”
“As a kind of a highness quality I mean even that, is sort of more humorous than slightly more rough than I would do but you know that a little costive than heighten, but it still has heighten, but later in the piece, ”
“I think all that, were the basic keep going up, I think that is real Beethoven trick of the middle years but already using when he was quite young and this tremendous surge of energy that you get there and this was something that people already complained about Beethoven, it’s a kind of violence that he was doing.”

王四五

on tanwang0791

Vienna at that time was a marvelous place for young musicians to go to. It has always been a city of pleasure or frivolity right back to the middle ages.
The city was the most crowded city in Europe at the time. It had a population of probably around a quarter of a million, and that is about 25 times the size of Bonn, at the top society there would be endless balls, and then musical concerts, and then for the ordinary people in the streets there would be juggling acrobats, street music, puppeteers, but there was another sign tour, some one described it as a city of frivolity but despairing frivolity.
The rulers of Europe were terrified that the French Revolution would spread. In Vienna, the emperor tightened censorship and gave extra powers to secret police, but instrumental music, the most abstract and least censorable of the arts, flourished.

“I think it was recognized from the beginning the extent to which Beethoven was within the whole influence of Mozarts and Joseph Haydn, but I think it was also shocking from the beginning what he was doing to that and people really hated it, I mean that there is no question about the fact that is from the beginning, Beethoven’s style of playing the piano and his style of composing were repellent.”

“Comments such as Beethoven’s music was hairbrained, ah, that, it was bizarre that it was overly complex, that it jolted the listener out of transports. All of these comments came from musicians.”
“The opening save extending the true”
“As a kind of a hightness quality I mean even that, is sort of more humorous than Hayden slightly more rough than Hayden would do but and you know that a little costive than Hayden, but it still has a Hayden thing, but later in the piece, ”

“I mean all that, were the basic keeps going up, I mean that is real Beethoven trick of, throughout the middle years and he's already using when he was quite young and this was a tremendous surge of energy that you get in there and this was something that people already complained about Beethoven, it’s a kind of violence that he was doing.”

fugejia

At the end of that time... It is always be a city of pleasure and _ to the middle ages.The city was the most crowned city in Eourope at that time.It has pupulation proberbly under a quarter of million.It is 25 times size as born.At the top of society, it would be endless balls,and then would be concerts.And then for ordinary people in the streets,it would be joggling ,_, street music,propertier.But there is another sign to it.Someone describes this city as property,but despairing property.

The ruler of Europe was terrified when French revolution was spreading.In veena,empier certership gave extra powers to secret police.But instrument music ,the most abstract,and least sense of the art,flourished.

I think it is recognised from the beginning.....to Bethoven,what is within the whole influence of the Mozart and -.But I think it is also shocking from beginning what he is doing to that .En,Ah,people really hasented.I mean there is no question about the fact from beginning.Bethoven's style of playing the paino and style of composing was repellet.

Comments such as Bethoven's musician's hair brained that was bizzar.An,it is over complex.It is jotted the listener out of transport.All the comments came from musicians.

The opening of - extend truth.

As a kind of hideness quality ,I mean even that a sort of more houmous hiden likely more,rough hiden- - -.I mean you kow that a little concern hiden but it still had -.But later the peace,I mean all that ,with the basic keep going up.I mean that is really Bethoven's trick throughout his middle years alreay used in his quite young.This is tremedous surge and energy as you get there.There is something people already complain about Bethoven-the kind of voilence he was doing.

lxwsdrz9999

Homework
Vienna at that time was a marvelous place for young musicians to go to. It has always been a city of pleasure or frivolity right back to the middle ages.

The city was the most crowded city in Europe at the time. It had a population of probably around a quarter of a million, and that is about 25 times the size of Bonn, at the top society there would be endless balls, and then musical concerts, and then for the ordinary people in the streets there would be juggling acrobats, street music, puppeteers, but there was another sign tour, some one described it as a city of frivolity but despairing frivolity.

The rulers of Europe were terrified that the French Revolution would spread. In Vienna, the emperor tightened censorship and gave extra powers to secret police, but instrumental music, the most abstract and least censorable of the arts, flourished.

“I think it was recognized from the beginning the extent to which Beethoven was within the whole influence of Mozart’s and Joseph Haydn, but I think it was also shocking from the beginning what he was doing to that and people really hated it, I mean that there is no question about the fact that is from the beginning, Beethoven’s style of playing the piano and his style of composing were repellent.”

“Comments such as Beethoven’s music was harebrained, ah, that, it was bizarre that it was overly complex, that it jolted the listener out of transports. All of these comments came from musicians.”
“The opening saves extending the true.”

“As a kind of a highness quality I mean even that, is sort of more humorous than Hayden slightly more rough than Hayden would do but and you know that a little costive than Hayden, but it still has a Hayden thing, but later in the piece, ”

“I mean all that, were the basic keeps going up, I mean that is real Beethoven trick of, throughout the middle years and he's already using when he was quite young and this was a tremendous surge of energy that you get in there and this was something that people already complained about Beethoven, it’s a kind of violence that he was doing.”

foues

on 王四五

Vienna at that time was a marvelous place for young musicians to go to. It has always been a city of pleasure or frivolity right back to the middle ages.
The city was the most crowded city in Europe at the time. It had a population of probably around a quarter of a million, and that is about 25 times the size of Bonn, at the top society there would be endless balls, and then musical concerts, and then for the ordinary people in the streets there would be juggling acrobats, street music, puppeteers, but there was another side to it, some one described it as a city of frivolity but despairing frivolity.
The rulers of Europe were terrified that the French Revolution would spread. In Vienna, the emperor tightened censorship and gave extra powers to the secret police, but instrumental music, the most abstract and least censorable of the arts, flourished.

“I think it was recognized from the beginning the extent to which Beethoven was within the whole influence of Mozart/ and Joseph Haydn, but I think it was also shocking from the beginning what he was doing to that and people really hated it, I mean that there is no question about the fact that / from the beginning, Beethoven’s style of playing the piano and his style of composing were repellent.”

“Comments such as Beethoven’s music was hairbrained, ah, that, it was bizarre that it was overly complex, that it jolted the listener out of transports. All of these comments came from musicians.”
“The opening is able to present the true”
“As a kind of a hightness quality I mean even that, is sort of more humorous than Hayden, slightly more rough than Hayden would do but and you know that a little coarser than Hayden, but it still has a Hayden thing, but later in the piece, ”

“I mean all that, where the basic keep/ going up, I mean that is real Beethoven trick of, / the middle years and he's already using when he was quite young and this was a tremendous surge of energy that you get in there and this was something that people already complained about Beethoven, it’s a kind of violence that he was doing.”

笨鸟追日

Homework of My:

Vienna at that time was a marvelous place for young musicians to go to. It has always been a city of pleasure or frivolity right back to the Middle Ages.

The city was the most crowded city in Europe at the time. It had a population of probably around a quarter of a million, and that is about 25 times the size of Bonn, at the top society there would be endless balls, and then musical concerts, and then for the ordinary people in the streets there would be juggling acrobats, street music, puppeteers, but there was another sign tour, some one described it as a city of frivolity but despairing frivolity.

The rulers of Europe were terrified that the French Revolution would spread. In Vienna, the emperor tightened censorship and gave extra powers to secret police, but instrumental music, the most abstract and least censorable of the arts, flourished.

“I think it was recognized from the beginning the extent to which Beethoven was within the whole influence of Mozarts and Joseph Haydn, but I think it was also shocking from the beginning what he was doing to that and people really hated it, I mean that there is no question about the fact that is from the beginning, Beethoven’s style of playing the piano and his style of composing were repellent.”

“Comments such as Beethoven’s music was hairbrained, ah, that, it was bizarre ,that it was overly complex, that it jolted the listener out of transports. All of these comments came from musicians.”

“The opening save extending the true.”
“As a kind of a hightness quality I mean even that, is sort of more humorous than Hayden slightly more rough than Hayden would do but and you know that a little costive than Hayden, but it still has a Hayden thing, but later in the piece,”

“I mean all that, were the basic keeps going up, I mean that is real Beethoven trick of, throughout the middle years and he's already using when he was quite young and this was a tremendous surge of energy that you get in there and this was something that people already complained about Beethoven, it’s a kind of violence that he was doing.”

王四五

on foues

Vienna at that time was a marvelous place for young musicians to go to. It has always been a city of pleasure or frivolity right back to the middle ages.
The city was the most crowded city in Europe at the time. It had a population of probably around a quarter of a million, and that is about 25 times the size of Bonn, at the top society there would be endless balls, and then musical concerts, and then for the ordinary people in the streets there would be juggling acrobats, street music, puppeteers, but there was another side to it, some one described it as a city of frivolity but despairing frivolity.
The rulers of Europe were terrified that the French Revolution would spread. In Vienna, the emperor tightened censorship and gave extra powers to the secret police, but instrumental music, the most abstract and least censorable of the arts, flourished.

“I think it was recognized from the beginning the extent to which Beethoven was within the whole influence of Mozart/ and Joseph Haydn, but I think it was also shocking from the beginning what he was doing to that and people really hated it, I mean that there is no question about the fact that / from the beginning, Beethoven’s style of playing the piano and his style of composing were repellent.”

“Comments such as Beethoven’s music was hairbrained, ah, that, it was bizarre that it was overly complex, that it jolted the listener out of transports. All of these comments came from musicians.”
“The opening is able to present the true”
“As a kind of a hightness quality I mean even that, is sort of more humorous than Haydn, slightly more rough than Haydn would do but and you know that a little coarser than Haydn, but it still has a Haydn thing, but later in the piece, ”

“I mean all that, where the basic keep/ going up, I mean that is real Beethoven trick of, / the middle years and he's already using when he was quite young and this was a tremendous surge of energy that you get in there and this was something that people already complained about Beethoven, it’s a kind of violence that he was doing.”

putfan

王四五

Vienna at that time was a marvelous place for young musicians to go to. It has always been a city of pleasure or frivolity right back to the middle ages.
The city was the most crowded city in Europe at the time. It had a population of probably around a quarter of a million, and that is about 25 times the size of Bonn. At the top society there would be endless balls, and then musical concerts, and then for the ordinary people in the streets there would be juggling acrobats, street music, puppeteers, but there was another side to it, some one described it as a city of frivolity but despairing frivolity.

The rulers of Europe were terrified that the French Revolution would spread. In Vienna, the emperor tightened censorship and gave extra powers to the secret police, but instrumental music, the most abstract and least censorable of the arts, flourished.

“I think it was recognized from the beginning the extent to which Beethoven was within the whole influence of Mozart/ and Joseph Haydn, but I think it was also shocking from the beginning what he was doing to that and people really hated it, I mean that there is no question about the fact that / from the beginning, Beethoven’s style of playing the piano and his style of composing were repellent.”

“Comments such as Beethoven’s music was hairbrained, ah, that, it was bizarre that it was overly complex, that it jolted the listener out of transports. All of these comments came from musicians.”
“The opening is to have portended the truth.”
“As a kind of Haydn as quality I mean even that, is sort of more humorous than Haydn, slightly more rough than Haydn would do but and you know that a little coarser than Haydn, but it still has a Haydn thing, but later in the piece, ”

“I mean all that, there was the basic keep going up, I mean that is real Beethoven trick of, / the middle years and he's already using when he was quite young and this was a tremendous surge of energy that you get in there and this was something that people already complained about Beethoven, it’s a kind of violence that he was doing.”

daily do

on putfan

"Vienna at that time was a marvelous place for young musicians to go to. It has always been a city of pleasure or frivolity right back to the middle ages. The city was the most crowded city in Europe at the time. It had a population of probably around a quarter of a million, and that is about 25 times the size of Bonn. At the top society there would be endless balls, and then musical concerts, and then for the ordinary people in the streets there would be juggling acrobats, street music, puppeteers, but there was another side to it, some one described it as a city of frivolity but despairing frivolity."

The rulers of Europe were terrified that the French Revolution would spread. In Vienna, the emperor tightened censorship and gave extra powers to the secret police, but instrumental music, the most abstract and least censorable of the arts, flourished.

“I think it was recognized from the beginning the extent to which Beethoven was within the whole influence of Mozart and Joseph Haydn, but I think it was also shocking from the beginning what he was doing to that and people really hated it, I mean that there is no question about the fact that from the beginning, Beethoven’s style of playing the piano and his style of composing were repellent.”

“Comments such as Beethoven’s music was hairbrained, ah, that, it was bizarre that it was overly complex, that it jolted the listener out of transports. All of these comments came from musicians.”

“The opening is to have portended the truth. As a kind of Haydness quality I mean even that, is sort of more humorous than Haydn's, slightly more rough than Haydn would do but and you know that a little coarser than Haydn, but it still has a Haydn thing, but later in the piece--I mean all that, there was the basic keep going up, I mean that is real Beethoven trick of, the middle years and he's already using when he was quite young and this was a tremendous surge of energy that you get in there and this was something that people already complained about Beethoven, it’s a kind of violence that he was doing.”

wingwingcai

hw


Vienna at that time was a marvelous place for young musicians to go to. It has always been a city of pleasure and frivolity right back to the middle ages. The city was the most crowded city in Europe at that time. It had a population of probably a quarter of a million, that is 25 times of Bonn, at the top of society, there would be endless balls, then musical concerts, and then for the ordinary people in the streets there would be juggling acrobats, street music, puppeteers, but there was another side to it, someone described this city as frivolity but despairing frivolity.

The ruler of the Europe was terrified that French revolution would spread. In Vienna, the emperor tightened the censorship and gave extra power to the secret police but instrumental music, the most abstract at least censorable of the arts flourished.

I think it is recognized from the beginning the extent of Beethoven was within the whole influence of Mozart and J. But I think it was also shocking from the beginning what was he doing that and people really hated it. I mean there was no question about the affect from the beginning Beethoven's style of playing piano and his style of composing were repellent.

Comments such as Beethoven's music is hairbrained, that it was bizarre, that it was overly complex, that it jolted listeners out of transports. All of these comments came from musicians.


" the opening is able to present the truth."

“As a kind of a hightness quality I mean even that, is sort of more humorous than -- slightly more rough than would do but you know that a little costive than Hayden, but it still has a thing, but later in the piece, ”

“I mean all that, were the basic keep going up, I mean that is real Beethoven trick of throughout the middle years and he's already using when he was quite young and this was a tremendous surge of energy that you get in there and this was something that people already complained about Beethoven, it’s a kind of violence that he was doing.”

bonniegolden

Hw

Vienna that time was a marvelous place for young musicians to go to. It was always been a city of pleasure to frivolity right back to the middle ages.

The city was the most crowded city in Europe that time. It had a population of probably around a quarter of million. That's 25 times the size of Bonn. And its top society there would be endless balls, and then musical concerts. And then for ordinary people in the streets would be juggling acrobats, street music, puppeteers. But there was another side to it. That someone describe this city of frivolity but despairing frivolity.

The rumors of Europe were terrified the French revolution would spread. In Vienna the Emperor tightens censorship and gives extra powers to secret police. The instrumental music, the most abstract and least censorable of the arts, flourished.

I think it was recognized from the beginning the extend to which Beethoven, what's within the whole influence of Mozart and of course Hyden. But I think it would shot him from the beginning what he was doing to that and people really hated it. I mean there is no question about that the fact that from the beginning Beethoven's style of playing the piano and he started of composing was repellent. Comments such as Beethoven's musical is harebrained, that it was bizarre, it that is was overly complex that it jolted the listener out of transport all of these comments came from musicians. The opening saves extending the true.

As a kind of highness quality a mean even that is sort of more humorous than Hyden slightly more rough than Hyden. I would do but I no a little costive than Hyden. But it still has Hyden thing. But later in the piece. I mean all that was a base that keep going up. That's real Beethoven trick that through of the middle years already using when his quite young. And this is tremendous surge of energy that you get in the. And this was something that people already complained about in Beethoven this kind of violence that he was doing.

seansxf

daily do

"Vienna at that time was a marvelous place for young musicians to go to. It has always been a city of pleasure or frivolity right back to the middle ages. The city was the most crowded city in Europe at the time. It had a population of probably around a quarter of a million, and that is about 25 times the size of Bonn. At the top society there would be endless balls, and then musical concerts, and then for the ordinary people in the streets there would be juggling acrobats, street music, puppeteers, but there was another side to it, as some one described it as a city of frivolity but despairing frivolity."

 

The rulers of Europe were terrified that the French Revolution would spread. In Vienna, the emperor tightened censorship and gave extra powers to the secret police, but instrumental music, the most abstract and least censorable of the arts, flourished.

 

“I think it was recognized from the beginning the extent to which Beethoven was within the whole influence of Mozart and, of course, /// Haydn, but I think it was also shocking from the beginning what he was doing to that and people really hated it, I mean there was… there is no question about the fact that from the beginning, Beethoven’s style of playing the piano and his style of composing were repellent.”

 

“Comments such as Beethoven’s music was hairbrained, ah, that, it was bizarre that it was really complex, that it jolted the listener out of transports. All of these comments came from musicians.”

 

“The openings have upstanding bi-tone. As a kind of Haydness quality I mean even that, is sort of more humorous than Haydn's, slightly more rough than Haydn would do but and you know that a little coarser than Haydn, but it still has the Haydn thing, but later in the piece--I mean all that, there was the basic keep going up, I mean that is the real Beethoven trick of, the middle years but he's already using when he was quite young and this sort of tremendous surge of energy that you get in there and this was something that people already complained about in Beethoven, this kind of violence that he was doing.”